Playwright shelf

David Mamet

A compact reading guide to plays, screen work, essays, and critical studies by and about a dramatist whose work is closely associated with compressed dialogue and shifting negotiations of power.

Dimly lit theatre seats facing a stage Reading beyond the play

Archive note

A working shelf of texts.

This page gathers titles recorded in the archive under David Mamet: stage plays, adaptations, screenplays, prose, and a small group of critical studies. It is arranged as a reading pathway rather than a retail catalogue.

Edition, format, and availability vary over time. Use the titles as starting points for library research, theatre study, or further reading.

Selected works

Plays and related writing

David Mamet overview

Stage plays

Key dramatic texts and collections represented in the archive record.

  • American Buffalo
  • The Cherry Orchard
  • The Cryptogram
  • Five Television Plays
  • Glengarry Glen Ross
  • Goldberg Street
  • House of Games
  • A Life in the Theatre
  • The Old Neighborhood
  • Oleanna
  • Reunion and Dark Pony
  • The Shawl and Prairie du Chien
  • Speed-the-Plow
  • Three Children's Plays
  • Three Sisters
  • Uncle Vanya
  • The Woods, Lakeboat, Edmond

Essays and other work

Prose, reflection, and adjacent writing for readers following the wider body of work.

  • 3 Uses of the Knife
  • Bar Mitzvah
  • The Cabin
  • Henrietta
  • Jafsie and John Henry
  • Make Believe Town
  • The Old Religion
  • On Acting
  • On Directing Film
  • Passover
  • True and False
  • Writing in Restaurants
Film projector casting light in a dark cinema

Film and screenplay record

The dramatic voice moves across media.

The archive also notes films associated with Mamet's writing, including House of Games, Homicide, Glengarry Glen Ross, The Spanish Prisoner, Things Change, and Wag the Dog. These entries offer another route into recurring concerns with performance, persuasion, and concealment.

For further study

Critical pathways

01

Language and dramatic action

Studies of Mamet's dialogue often examine how rhythm, interruption, and repetition structure a scene's pressure.

02

Text and performance

Production-focused reading can place a published script beside questions of pace, casting, staging, and audience attention.

03

Film and adaptation

Screen work provides a useful parallel shelf for considering how dramatic methods change with camera, cut, and setting.

04

Return to the playwright page

Use the broader archive entry to continue through neighbouring writers and related dramatic traditions.

Correspondence

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